terça-feira, 17 de janeiro de 2012

Calico Joe, o novo romance de John Grisham

A Major League Baseball é a configuração icônica para o novo romance de John Grisham a ser publicado pela Doubleday na primavera americana.


Um romance surpreendente e comovente de pais e filhos, perdão e redenção, ambientado no mundo do Liga Americana de Baseball


O que aconteceu com Calico Joe?


No verão de 1973 Joe Castelo, o garoto de Calico Rock, Arkansas, foi o menino prodígio do baseball. 


Calico Joe rapidamente se tornou o ídolo de todos os fãs de baseball na América, incluindo Paul Tracey. No dia que Warren Tracey finalmente enfrentou Calico Joe, Paul estava nas arquibancadas, torcendo por seu ídolo, mas também para seu pai.


Warren então atirou uma bola rápida que mudaria sua vidas para sempre ...


No novo romance de John Grisham o baseball é emocionante, mas é o que acontece fora do campo que faz CALICO JOE um clássico.


Calico Joe , será lançado em  10 de abril, apenas uma semana após o início da Major League Baseball de 2012.


Já em pré venda na Amazon

sexta-feira, 6 de janeiro de 2012

John Grisham: "Eu não estou preocupado, porque eu estou convencido de que a série vai ser um sucesso"


View more videos at: http://nbcnewyork.com.

by Scott Huber NBC New York

O autor John Grisham, de "A Firma", começou a vida como o romance best-seller em 1991, e foi então transformado pelo aclamado filme de 1993 estrelado por Tom Cruise e Gene Hackman. Agora, a história que fez Grisham um dos autores mais reconhecidos do mundo está retornando como uma série dramática da NBC que estréia neste domingo, 8 de janeiro.



Author John Grisham's legal potboiler "The Firm" began life as a best-selling novel in 1991, and was then turned into a critically-acclaimed 1993 film starring Tom Cruise and Gene Hackman. Now, the story that made Grisham one of the world's most widely-recognized authors is returning as a NBC drama series premiering this Sunday, Jan. 8.
PopcornBiz caught up with Grisham and "The Firm" producer Lukas Reiter - who knows his way around a courtroom, having produced “The Practice" and “Boston Legal” - to get briefed on how they went about bringing the twisty thriller to the small screen.
On bringing a beloved Grisham property to television, especially after rocky attempts in the past:
Grisham: It certainly gave me great hesitation because ‘The Client’ was such a dreadful show and a painful experience. But ‘The Client’ did not last long for a lot of valid reasons. I didn't want to do it again for a long time and forgot about television over the years – and never really forgot about the film, but films have become very, very difficult to make for a bunch of different reasons. I was not excited about ‘The Firm,’ didn't really think about ‘The Firm’ as a TV show until Luke Reiter appeared on the scene and showed me a script, and when I read Luke's script a couple three years ago I thought it was very good and kind of got excited about the idea of a weekly drama.

Reiter: We're picking up 10 years later and so the show really is the next chapter of the story. For people who know the novel, people who know the film and love it – and I started from a place of being a huge fan of the original material – we're trying to carry on the spirit of that storytelling and continue the story of whatever happened to Mitch and Abby McDeere. I've written legal dramas for most of my career and so the difference here I think – largely because of John's involvement – is that we're really trying to create a legal thriller every week. All that action, all that suspense, all of the adrenaline rush that people have come to love and expect form a great John Grisham novel, we're trying to incorporate into the stories that we're telling every week both in the stand alone cases that begin and end in every episode and in the big central conspiracy that arcs over the first season.
On the direction of the series, and actor Josh Lucas taking on role of Mitch McDeere:


Reiter: Having taken or participated in taking down the law firm up in Bandini, Lambert and Locke in Memphis, Mitch felt that he was free and clear, that he had come up with a fairly ingenious solution that assisted the feds in taking down the law firm but did not incur the wrath of the Moralto mob. And what you find out at the beginning of our story is that while Mitch thought he was free and clear, some things happened that he did not anticipate that actually make him and his family the target of the Moralto family's rage and desire for revenge. And so the family for the last 10 years has been on the run and what's happened now, where we find them is the head of the Moralto family out of Chicago, Joey Moralto, Sr., has recently died in prison. Mitch now believes the threat is behind him, that perhaps this is the event that should be the impetus for his family to come out of hiding to reclaim their lives, to reclaim their future. They resurface in Washington, D.C. with Mitch intending to start a solo practice in the area – they're living in Northern Virginia. And so we find the McDeeres after quite an experience over the last 10 years trying to get back to the life that they put on hold when they went into witness protection only to find that some of the past dangers are still out there, and there are a series of new complications ahead of them that we unfold over the course of the season.

Grisham: I love suspense. That's what I write, that's what I like to watch, that's what I think about. I'm always trying to create a story that will keep readers up all night turning pages, skipping work, skipping meals – that's what I strive to do whenever I have a good suspenseful story. The TV show pilot is very much the same way. It's a lot of action, but also a lot of good drama where you see the characters stop and think and reflect, and they're real people. And it's a really good cast. Josh Lucas is terrific – he's got all the makings and mannerisms and charisma of a real star. He's very, very good in the role and it's been a lot of fun watching somebody else's sort of vision of these characters ten years after we last saw them. And that's where the story picks up: a lot of good legal intrigue. A lot of courtroom stuff, lawyer-client problems, big law firm intrigue, all the stuff I love to write about.
On Grisham’s level of hands-on involvement:

Grisham: I don't read every script. I've read a lot of them. My involvement has been so far to talk to Luke, pass along big ideas about where the series might go – again, reading some of the scripts, but I don't like to spend a lot of the time reading scripts. I don't care what they're adapted from. But after the initial script and the two or three that followed, I realized that the series was in really good hands and I still feel that way today. I've seen the pilot. I saw it a couple of weeks ago and Luke has offered to send me each episode as they finish them and I don't want to see them. I want to see the pilot but I want to sit back on Thursday night with everybody else and watch the show.
Reiter: John, you're being a bit modest just in that the macro picture of the show of how we're approaching it, the way that we came into the story and also the big central conspiracy at the heart of the show has really greatly benefited from my work with John and just talking with John about the characters and the series and where it's going. The central conspiracy was very much a collaboration in concept between John and I and we are working hard over here in the writers room every day to carry out that vision.
On how courtroom authenticity is important to both Grisham, an ex-trial lawyer, and Reiter, a former assistant district attorney:
Grisham: I can read five pages of a book about a trial or thriller or whatever and normally I can tell you if the author is a lawyer or was a lawyer because there's just a certain amount of authenticity that you naturally bring the process when you've lived it and when you know what you're talking about. I certainly lived it for 10 years – not a long career but long enough, and what's really beneficial in working with Luke is the fact that he did too. He's been in courtrooms, he's worked the tough cases and that is something that's invaluable. It's something you really can't teach and something you really can't research. You just know it because you've lived it – and that, again, has really helped the process.
Reiter: I think everything that I write, the way I approach stories are certainly impacted from some of those early experiences. I've said before that writers and lawyers have one critical trait in common and that is the ability to think about the same thing for an irrational amount of time. And so certainly just having that perspective on the way I approach stories from my time as an attorney makes a big difference. And it's really helped in the writers room as well. I mean, among the other writer producers on the project we have a former federal prosecutor, USC law professor, Chief of Staff for the Lieutenant Governor of California. We've got a guy who handled homicide cases from the defense perspective in New York. So we've got those voices helping us shape where we're headed.
On why Grisham just wants to sit back and watch a TV show he’ll enjoy as a viewer:
Grisham: I'm not worried because I'm convinced the show is going to be a success, but also personally I've had so much success because of that one book that nothing could worry me about it now. The book was published 20 years ago in '91. The movie came out two years later in '93. It was a big box office success, it had a big cast, and it's still the highest grossing movie domestic and worldwide of any of the eight or nine films that have been adapted from my books. And it's sold now between 15 and 20 million copies in 40 languages. So believe me, I've had my share of success from the original story. And what we're doing now is, to me, just pure fun to watch it on TV. I'm not worried about success or failure, I want to see because of all the hard work that Luke and the cast and crew have put into it.

"The Firm" debuts with a special two-hour premiere this Sunday, Jan. 8 at 9 p.m. ET on NBC.




segunda-feira, 2 de janeiro de 2012

Série reencontra personagens de "A Firma" após dez anos

Elisangela Roxo / F5


O advogado engajado Mitch McDeere e o seu sonho de praticar um direito relevante para a sociedade estão de volta. Desta vez, na TV.


Veja galeria de fotos dos bastidores da nova série


Ele surgiu em 1991 no livro "A Firma", do autor de thrillers judiciais John Grisham --que escreveu também "O Dossiê Pelicano" e "O Cliente". Voltou em 1993 no filme homônimo, estrelado pelo então jovem galã Tom Cruise e dirigido por Sidney Pollack (1934-2008).


Agora, caberá a Josh Lucas (de "Instinto de Vingança" e "Poseidon") encarnar McDeere na série a ser exibida no Brasil no AXN.


Divulgação
Elenco da série "The Firm", que tem pré-estreia em fevereiro no canal AXN


A nova história se inicia dez anos após a conclusão do filme --e isso é tudo o que se relaciona à produção cinematográfica original.


Para a produtora Helen Shaver, trata-se do momento ideal para "ressuscitar" McDeere e estrear a série. "O idealismo dele é atemporal e se torna ainda mais relevante no momento em que temos um movimento como o 'Ocupe Wall Street'", opina.


McDeere passou os últimos dez anos fugindo da firma de advogados, fachada de uma organização criminosa, que o engambelou.


Ele continua casado com a professora Abby (antes Jeanne Tripplehorn, agora Molly Parker), e o par teve uma filha (Natasha Calis).


Ray, seu irmão de índole duvidosa (David Strathairn no filme, Callum Keith Rennie na série), segue acompanhando a família, assim como a namorada dele, Tammy (Holly Hunter foi indicada ao Oscar pelo papel que agora é de Juliette Lewis).


Essa última também é secretária do pequeno escritório que McDeere montou depois de dar fim às constantes mudanças de endereço --sua fuga desenfreada era o ponto de partida da trama.


Enquanto tenta manter em ordem sua vida pessoal, McDeere vai se envolver em casos diferentes a cada episódio --num modelo que o público já conhece de outras séries jurídicas.


John Grisham, que assinava o roteiro para o cinema, é agora produtor-executivo da série escrita por Lukas Reither (de "Law and Order").


No episódio piloto, de duas horas, ele vai defender um adolescente negro acusado de matar um colega na escola. O drama gira em torno da decisão da Justiça em julgá-lo ou não como um adulto, uma questão recorrente nos tribunais dos EUA.


A produção marca a estreia de Josh Lucas na televisão. A decisão de aceitar o convite para estrelar "A Firma" foi baseada na projeção que a TV americana dá hoje à carreira de um ator. "Fiz tantos papéis importantes no cinema que ninguém viu", lamenta.


A experiência de integrar um júri fora dos sets, antes de ser sondado para o programa, pesou. "A coisa mais dramática que já fiz na vida foi presenciar um julgamento num tribunal. Ali, notei que as pessoas podem usar a lei para lutar pela vida", filosofa o ator.


Molly Parker diz que seu interesse em "A Firma" surgiu do fato de sua personagem fugir do estereótipo da esposa subserviente, cordata. "Sempre tentei evitar fazer esse tipo de papel. Ela é o centro moral da família, à maneira de John Grisham, apaixonada pelo marido, mas não é nem boa, nem má", conta.


Para ela, o jogo de esconde-esconde que dispara o enredo dá verossimilhança à saga do advogado. "Não sei se podemos escapar ou não do passado na vida, mas é impossível mudar o jeito das coisas, e os McDeere têm de lidar com isso."


COM LEGENDAS


Apesar da tendência crescente dos canais brasileiros de exibir a programação dublada, o AXN garante que a primeira temporada estreia legendada no Brasil.


"Acho que a dublagem faz o espectador perder um pouco das sutilezas do trabalho do ator, mas entendo que algumas pessoas prefiram assim", comenta Parker.
Lucas pondera: "Muitas vezes, o trabalho de um dublador pode até melhorar o que fez o ator".


A série tem pré-estreia no Brasil prevista para 19 de fevereiro, em horário a ser definido. A partir de 10 de abril, vão ao ar capítulos regulares da primeira temporada.


Nos EUA, a estreia será em 8 de janeiro, no horário nobre do canal aberto NBC, na faixa que um dia foi de "ER" ("Plantão Médico").


A jornalista ELISANGELA ROXO viajou a convite da Sony